Being a new technology, merchants are often speculative on how the payment gateway works. They usually confuse themselves by understanding payment gateway is a synonym of e commerce shopping cart.

So what is payment gateway?

Payment gateway for tech support is a service which is integrated in a web based e commerce website’s shopping cart and it evidently gathers payment data provided by the customer at the checkout.

The data is then encrypted and transmitted to the card issuing bank for clearance. Once the authorization clearance is received, it is then sent to the merchant and further displayed to the card holder.

Traditionally the merchants used to accept hard cash due to locality sales. In the same manner, due to globalization, a technology such a payment gateway came in to ease the transactions.

For a layman’s understanding, when the goods or services are to be sold virtually, the payment needs to be done for the same. For this it is not possible for the merchant or the customer to travel overseas just to hand over the cash in person. So to make such payments real, the payment gateway system has been introduced. This provides the customers to make payment easily at their comfort zone. By the merchant’s point of view, he is happy as the money is directly getting credited in his account. Services such as this payment gateway for tech support are gaining popularity among SME’s and small busiesses.

A merchant account needs to be opened by the merchant. It acts very similarly to a bank account which allows businesses to accept money via any debit or credit card to be directly credited to such accounts. Under an agreement between the merchant acquiring bank and an acceptor, the merchant account is established for a proper settlement of payment done by debit or credit cards. A merchant may order payment gateway for tech support, websites, schools, startups, import, export, etc.

In the 21st century, a payment gateway is a need of any business. This is because a business cannot work without sales and service. With world becoming a global market, one needs a website to feature their products. To sell the same, they need to have a mode by which the money can be transmitted in the bank account securely. All this is handled by the payment gateway in a very accurate manner to run everything smoothly even when the customer is miles apart.

How to choose a payment gateway?

The primary points to be kept in mind which choosing a right payment gateway are:

  1. Compatibility

The payment gateway should always be compatible with your shopping cart’s technology.

  1. Price

The payment gateway has become a commodity service to all and hence your conclusion for a package selected should impact pricing.

  1. Security

Knowledge about the best payment gateways in the market is a must to keep you updated as to who is using the safest technology and who are frauds.

  1. Customizability vs. Simplicity

Some payment gateways are very simple to implement but do not authorize a high degree of customization. Others might be complex to understand but allow customization. The need of the organization should be studies before choosing an appropriate payment gateway.

Companies may study their needs and then can research on the internet as to which gateway could suit them. The best payment gateways for tech support, IT industries, schools, household markets, etc. are easily available in a form of package which can be ordered even online.…

FR! 01/05 creator Antoine Lie
We’re late posting this, but it’s easy listening. A fabulous perfumer, and an incredible voice!

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Anna Aratari : Good morning Antoine, good morning everybody ! Today we are in a French café, and we are going to talk about the present creation for Fragrance Republ!c

So Antoine Lie, what was the experience which made you decide to become a perfumer ?

Antoine Lie : Actually there is not an unique experience, it’s more an evolution of things. When I was young, I was very sensitive to smells. I prefer smelling dishes before eating them. This way I can guess if they are good or not, only with the nose. I have more olfactory memories than visual memories. I remember the smell of my room when I was very young, the smell of my teddy bear, the smell of some toys… It’s very peculiar but for me it’s essential. After that, I decided to make all my studies and all my education at school in the chemistry field because I knew it’s was the only chance I had to become a perfumer as my parents are not in the business. Then I realized the job of perfumer existed, so I tried to get into the school of Roure in Grasse (south of France). I send my resume and they told me “we can try with you because you are different, you are coming from outside of the industry but you seem to be very motivated, so let’s try”.

AA : Is there an ingredient that speaks to you more than another ?

AL : I’m more into the very strong and deep kind of raw materials, like vetiver, iris or leather. Things like that, more than any flower. That’s one part, but I also like to experiment different things and work with more strange or experimental brands. So I discovered very synthetic things like rubber, even metallic notes, which could be very interesting. If it’s balanced the right way, it could add something very new and interesting. Of course, I have my little raw materials that I love like the vetiver or the iris but I also try to see if there is anything to find into the synthetic part, a kind of industrial notes, that could be very repealing. The way you mix these notes can become the signature of the fragrance.

AA : What was your reaction when you discovered Fragrance Republ!c and why did you decide to take part of this project ?

AL : I was very pleased to be invited to join the club, because I like to take part to a new adventure. I was very intrigued. What I like the most is the fact it’s a Republic, that means it would speak more to people. Also the fact I’m the director and the creator of the fragrance means I’m going to propose you things, and you are going to decide if it’s ok or not. No rework. It’s exactly what I want to put on the market, and it’s not something you can find with any other clients. So it’s wonderful, you can really express yourself into something you believe in. There is nothing else like that.

AA : What was your inspiration for your creation FR! 01/05 that you named “Eau verte” ?

AL : Actually I wanted to try to do something that has not been done before of course, something different but not only artistic, that should be also wearable. So you have to find the right balance. But I always wanted to try to do something a little bit difficult in the market today, like with the aromatic notes, the minty notes, the artemisia notes, etc all those kind of things that are usually used as touch in a fragrance for giving some freshness. Here I wanted to make an overdose of all these notes to try to create something that wraps some musk or wood in order to describe a new signature. Something very tonic which can stay fresh for a long time. Even if it’s green and aromatic, it doesn’t smell medicinal, natural like cut grass. The story behind is that the fragrance was mainly done around wormwood.

AA : That’s interesting, we wanted to know a little bit more about this ingredient.

AL : Wormwood (or absinthe) is kind of a forbidden drink. It was called in the past “la fée verte” (the green fairy) that gives you this mystical impression and also it makes you dream. It was forbidden in the early last century, because it was described as something that can make you become crazy and give you hallucinations. I always loved to work with this dangerous and forbidden side. Sometimes it was described in some fragrances, but not over-dosed, so this is why I wanted to do something like that.

AA : The aspect of the absinthe is more aromatic ?

AL : Yes it’s aromatic, green, a little bit watery, liquorice, … There are a lot of different aspects. That brings a sort of new freshness, like a green bouquet.

AA : If this fragrance was a movie or actress who/what would it be?

AL : On one side the fragrance is kind of tonic, green, effervescent, and on another side it has a dangerous aspect so I would say the character of Uma Thurman in Kill Bill ! Because the character is crazy, dangerous, and she also has the strength and the tonic side. For me it’s a good example.

AA : Thanks a lot Antoine !…

On November 18th, Senator Anna Aratari sat down for a conversation with this month’s perfumer Julie Massé.

fragrance-theme

Anna Aratari: Good afternoon Julie. Thank you for having us to your home along with your new-born baby, Arthur! Congratulations!

Julie Massé: Thank you, I’m very happy to have you here!

AA: We want to explore with you the background of your creation for FR!. But first, what was the experience that made you decide to become a perfumer?

JM: I think perfumery is in my blood. I don’t remember having ever imagine doing anything else but creating perfumes. My dad was into the industry, so at home there was always some raw materials or fragrances to smell. My sister and brother didn’t pay attention at all, but me, I was always really interested in it. I was always smelling everything. In fact, it was more the passion for raw materials that made me become a perfumer. For the story, when I was a child, I was having all my friends at home for my birthday, I was asking my dad for making a presentation and games about raw materials and perfumery, instead having something usual. When I meet people I knew twenty years ago, and they ask me “What are you doing now ? What is your job ?”, I answer “I’m a perfumer”, and they say “No! You are the only person who knew at 7 years old what she wanted to do”. It was my dream, and I tried everything to achieve this goal. It’s still a dream. I really wanted to do this but I didn’t know if I would be able to do it. I studied chemistry and I went to ISIPCA (the French school of perfumery). I saw it was important to have a diploma, because I didn’t know if I was able to do that, so it was the first step in the industry. Then I had the huge opportunity to meet Pierre Bourdon, because I was working for Fragrance Resource at this time, in quality control. He was going to be retired three years later, and he said “Ok, I am going to teach two young people”. It was just my dream!! It was incredible.

AA: Do you think being a perfumer is more like an art or a craft?

JM: A craft probably, because you become a perfumer. Of course the better way to learn is to learn with a master perfumer. Being close to him, learning all the raw materials, learning how to use them and how to mix them. At the beginning you are in the background, you just have to be there with people with a lot of experience. They are going to teach you how they translate words into smells. Here you learn what is the job, by learning all the raw materials, how to mix them and how much of each you have to use. At first, you can’t do creative things because you have to show that you know how to use all the materials. Of course creativity is the main ingredient and that’s what is interesting in our job—taking inspiration of anything. It can be just words, it can be painting, music or anything. What I love in my job is to translate feelings or flavors into perfumes. Pierre Bourdon was saying that we have to do some “narrative perfumery”. You have to write a formula as you wanted to tell a story. That’s really what I try to do. Each raw material is here to play a role in the fragrance.

AA: Do you have an ingredient you really love to use? Or one you would like to use more?

JM: I really love orange blossom. But I don’t put it in every creations of course. I love the tree. On one tree, you can have little grains, which are very green, you can have “neroli essence”, and you can have orange blossom absolute. This is amazing. It’s a story by itself. If I could do something right now, I would do something about “osmanthus”. There is something magic with these tiny flowers, this very strong smell, this melting of floral, fruity, ethereal and woody notes. It’s a fragrance by itself. It could be the first part and after we can build something around it.

AA: How did you feel when we approached you and you discovered the Fragrance Republ!c? How do you feel to be part of this new initiative?

JM: I was really, really interested by the presentation of FR!. I understood the idea that if you could create only one perfume, which one would you do? What kind of story would you tell about it?

AA: Exactly!

JM: I had no problem of constraint. You can just express yourself, your feelings. You have a chance, so you can take it and try. If people love the story and understand what you wanted to express, it’s done! For perfumers it’s amazing, it’s just a unique chance to have that kind of exposure. It’s like a secret garden of a perfumer.

AA: What was your inspiration for the beautiful fragrance you created that is FR! 01/02?

JM: The idea was to do a perfume around “tuberose”, but something new with this flower. How to treat it in a modern way, in my way. Tuberose is a very feminine flower with a very strong perfume, very “heady”. I wanted to do something lighter, more celestial. I tried to understand what makes you feel that this is tuberose but without all the heaviness. Then, I put some Rose of May absolute, and cocoa resinoid, because I wanted something bitter. I wanted something very feminine but lighter than the heavy and strong tuberose, while keeping its character.

AA: If this fragrance was a movie or an actress, what that would be?

JM: If it was a movie, I don’t know exactly which one, but it would be a movie that has a very intense and quite serious subject, but treated in a very light and funny way. If it was an actress, perhaps Audrey Hepburn, because she has this sensuality and femininity, but she was able to play movies with very fresh and funny manners. Something very smiley, but deep.

AA: Well, thank you, Julie and thanks for being a part of FR!

At the tender age of seventeen, Nathalie had a stunning revelation: she discovered Opium by Yves Saint Laurent and realized her dream was to become a perfumer. Though not a part of the fragrance industry’s inner circle, she met Jean-Louis Sieuzac, Opium‘s creator, who sent her to Grasse for olfactory training. After three years in Grasse, she joined Givaudan in 1986. In 1990, she moved to the US for four years, and in 2008, she joined Symrise as Senior Perfumer. Natalie enjoys projects of all shapes and sizes. She finds that niche projects crystallize her creativity, inspiring her for bigger projects. “There are not less important projects,” she says. “I try to tell a unique story in each of my creations. My perfumes are part of me, of course, but they also become part of their wearers’ lives.”

NATHALIE FEISTHAUER

Previous Creations:

  • Amouage Honour Man
  • Comme Des Garçons Series 6, 7, 8
  • Lancôme Hypnôse Senses
  • Montblanc Legend
  • Thierry Mugler Innocent Rock Angel
  • Yohji Yamamoto Yohji Yamamoto Pour Femme

About the Fragrance:

I created FR! 01/01 to honor the iris, specifically the concrete of Iris Pallida Florentina. The concrete, the creamy, solidified oil derived from the flower, is perhaps the single most precious material in a perfumer’s palette. I composed an olfactory frame to set off this scent’s natural beauty. Delicate, subtle touches of pear and a pinch of saffron magnify its multiple facets and invigorate its temporal progression.

 

Jean-Christophe grew up against the backdrop of perfume, as his father manufactured concentrates. While in his teens, his father gave him Joop for Men. “It was the first time I ever fell in love with a fragrance,” he recalls. Though he studied chemistry, it wasn’t until his father sent him to Grasse, as a trainee in a control laboratory, that he became intrigued by the fields of mimosa and the jasmine and tuberose absolutes.

JEAN CHRISTOPHE HÉRAULT

The real turning point came when he met Pierre Bourdon, the creator of Joop for Men, who agreed to mentor him on condition that he read all of Proust’s In Search of Lost Time. A year later, Bourdon began teaching him the method he’d learned from his mentor, Edmond Roudnitska. Jean-Christophe soon developed his own olfactory language, writing down what each raw material conjured up for him. Now at IFF, he works with incredible ingredients and dreams of creating a new olfactory family. Convinced that daring and creativity are essential to the fragrances of tomorrow, he strives to create perfumes which arouse forceful emotions.

Inspiration:

  • The earth after the rain in summer and the smell of privet flowers, which remind him of childhood vacations in Normandy.
  • Good food: “When you are an amateur of perfume, you are always very interested in food,” he says. He loves to prepare shellfish risotto with tarragon or a panna cotta.
  • Eloquent raw materials: cypriol because it is an almost virile type of wood; aldehydes for their metallic facets; benzoin; and, though it seems paradoxical, hedione.
  • Legendary fragrances: Farenheit by Dior, Joop for Men, Aromatics Elixir by Clinique, and Angel by Thierry Mugler.

Previous Creations:

  • Lulu Castagnette: Indomptée
  • Adolfo Dominguez: Agua Sandalo
  • Salvador Dalí: Daring Gold
  • Canali: Canali Man, Black Diamond, Summer Night (Men), Canali Style, Canali Dal 1934
  • Esprit: Connect For Us, Groovy Life by Esprit Woman
  • Grès: My Dream-Hommage à Marlene Dietrich
  • Luciano Soprani: Donna Soir
  • Ghost: Captivating
  • Yves Saint Laurent: Opium Vapeur de Parfum (with D.Ropion)
  • Comme des Garçons: Amazingreen
  • Balenciaga: Florabotanica (with O. Polge)
  • Chopard: Enchanted (with D. Ropion), Enchanted Golden Absolute (with D. Ropion)

About the Fragrance:

Jean-Christophe Herault always wanted to create a fragrance around osmanthus. “Osmanthus is a really beautiful flower both delicate and fresh with soft and clean juicy apricot, jasmine and light leathery and tea facets. In this fragrance, I expressed the delicacy and lightness of the flower while keeping it warm and sensual”. To achieve this equilibrium,  Jean-Christophe opens the composition with a sparkling citrus top of Bergamot Essence and Lemon Essence twisted with juicy transparent apricot notes. The light ethereal aspect of FR! 01/08 is underlined by a crisp vegetal and dewy tea accord sprinkled with crushed green Violet Leaves. The freshness and the naturality of the flower is developed in a rich and voluptuous heart of Tunisian Orange Flower Absolute LMR and Sambac Jasmine Absolute LMR. The fragrance becomes more sophisticated and deeper with a combination of leathery and chypre notes with Patchouli Heart Essence LMR. “It was a real pleasure to compose a fragrance feeling free of constraints and I hope you’ll enjoy it as much as I enjoyed creating it”.

FR! 01/02 by Julie Massé is a finalist in the first annual Art and Olfaction Awards ceremony. We were chosen from a pool of submissions that included 14 countries and 5 continents.

finalist

​FR! 01/02 by Julie Massé is a finalist in the first annual Art and Olfaction Awards ceremony. We were chosen from a pool of submissions that included 14 countries and 5 continents. Thrilled to have been a part of this competition. We await impatiently the April 25th, 2014 Awards Ceremony at the Goethe Insitut in Los Angeles.

The Judges for the finals are Christophe Laudamiel, Luca Turin, Mandy Aftel, Sarah Horowitz-Thran, and Stefan Sagmeister. They will be asked to rate the submissions on a scale of one to ten in the following categories.

  • First impressions (the impression of the scent in the first 15 minutes)
  • Wear-down (the scent’s performance in dry down)
  • Retention (the memory you have kept of the scent)
  • Artistry (the scent’s technical skill)
  • X Factor (something special, but undefineable)

Amélie Bourgeois was here for our FR! 01/04 Launch Party as well. What a treat to speak with the creator and wear the perfume simultaneously!

We are proud to invite you to our first FR! Member Event on Thursday, October 24, @ Warehouse 623 as part of Jungle Art Brooklyn.

An opportunity to meet FR! members and perfume aficionados, this event will also introduce Christophe Laudamiel, who will create a fragrance for FR! in 2014.